POETRY FROM PARADISE VALLEY

POETRY FROM PARADISE VALLEY
Click Image to Visit the Pecan Grove Press Web Page for Poetry from Paradise Valley

POETRY FROM PARADISE VALLEY web page

Poetry From Paradise Valley

Pecan Grove Press has released an anthology of poems, a sampling of works published in Valparaiso Poetry Review during its first decade, from the original 1999-2000 volume to the 2009-2010 volume.


Poetry from Paradise Valley includes a stellar roster of 50 poets. Among the contributors are a former Poet Laureate of the United States, a winner of the Griffin International Prize, two Pulitzer Prize winners, two National Book Award winners, two National Book Critics Circle winners, six finalists for the National Book Award, four finalists for the National Book Critics Circle Award, two finalists for the Pulitzer Prize, and a few dozen recipients of other honors, such as fellowships from the Guggenheim Foundation, the National Endowment for the Arts, etc.

Readers are encouraged to visit the Poetry from Paradise Valley page at the publisher's web site, where ordering information about the book can be found.

Best Books of Indiana 2011: Finalist. Judges' Citation: "Poetry from Paradise Valley is an excellent anthology that features world-class poetry, including the work of many artists from the Midwest, such as Jared Carter, Annie Finch, David Baker, and Allison Joseph. It’s an eclectic and always interesting collection where poems on similar themes flow into each other. It showcases the highest caliber of U. S. poetry."
—Indiana Center for the Book, Indiana State Library

Friday, October 29, 2010

Taylor Swift, James Franco, and Poetry




As mentioned at the Poetry Foundation’s blog, Harriet, Taylor Swift has been promoting the benefits of reading and the joy of poetry: “One of the perks of super-stardom is getting total strangers to like what you like. That’s especially cool when star power is used to promote reading, and that’s exactly what music sensation Taylor Swift did when she visited the headquarters of Scholastic Inc. to chat with 200 fawning fans about the awesomeness of books.”

Indeed, as reported by Associated Press, Swift spoke to “about 200 grade-schoolers and middle-schoolers . . . about reading and writing.” The singer has been known for expressing interest in literature and writing during past interviews, and she apparently has been composing her own poetry or song lyrics since she was in middle school. The AP article reports, Swift “shared songwriting tips (imagine you're writing a letter, she advised), childhood reading memories and repeated plugs for books as a path to a better life.”

She also advised the students about the value of books: “You can let little things pass you by, little details. Like, say you're driving down the road and there's just this really beautiful autumn tree and it has these gorgeous orange leaves. You might just let that pass you by if you have never read books that describe how beautiful they are, from somebody else's perspective." Furthermore, Swift spoke of poetry: “I love poetry, because if you get it right, if you put the right rhymes at the right ends of the sentences, you can almost make words bounce off a page.”

Recently, I was invited to speak to middle-school students about reading and writing poetry. As often occurs, I sensed some early resistance by a few of the students who thought poetry had no relevance to their lives. However, after I reminded them that the lyrics of songs on their iPods were similar to lines of poetry, and I listed the elements in common, the interest level increased. When I specifically cited Taylor Swift’s past comments about writing her lyrics, many of the students, especially the females, became more engaged in our conversation. We discussed references like those to Romeo and Juliet or The Scarlet Letter in the song above, and then we followed the way images or themes in Swift's songs are also treated in well-known poems they might encounter in an English class anthology.

No matter which era we consider, connecting song lyrics and popular culture to lines of poems has always been a method to entice students toward reading or composing poetry. Indeed, I was reminded of the intersection of popular music and contemporary culture with poetry in my own life and work Wednesday evening when I gave a poetry reading, during which a few of the poems contained references to Billie Holiday’s songs or borrowed quotes from Bob Dylan and Bob Seger. I also attributed an influence of Allen Ginsberg's "Howl" on one of the poems I read.

I continually come across depressing articles detecting a decline in reading and declaring the death of poetry. Yet, I am always delighted by the surprisingly wide readership I find in encountering messages of correspondence and submissions to Valparaiso Poetry Review. Likewise, I enjoyed speaking about the content and style of poems with individuals of differing backgrounds and various ages as I signed books after my poetry reading the other night.

Therefore, I was pleased to see Taylor Swift use her influence to increase the popularity of literature among younger readers, even possibly reinvigorate interest in poetry. When people with high profiles as entertainers in popular culture, such as Swift and James Franco ( below as Allen Ginsberg in the recently released film, Howl), even slightly create a greater sense of appreciation for poetry, the results can be beneficial. Whether through the gently romantic and widely appealing lyrics of a Taylor Swift song or the gritty realistic and often challenging lines of an Allen Ginsberg poem, each attached to a compelling personality, any attention drawn to poetry, whether directly or indirectly, should be welcomed.







Tuesday, October 26, 2010

Byrne Poetry Reading: Valparaiso University, October 27

I am honored to inform everyone that I have been invited to read my poetry this Wednesday, October 27 at 7:00 p.m. in the Brauer Museum of Art at Valparaiso University. This presentation is part of the fall series of authors’ readings co-sponsored by the Wordfest program and the Valparaiso University Department of English.

I am especially pleased that the event will be hosted by the Brauer Museum of Art, whose permanent collection displays some of the paintings that have graced the covers of my books over the years and also have provided cover art for many of Valparaiso Poetry Review’s issues.

In advance, visitors are invited to view a brief biographical note and a sampling of poems from my latest book, Seeded Light.

This event is free and open to the public. Copies of my books will be available for purchase. A reception and book signing will follow the reading.

Sunday, October 24, 2010

Brian Turner, VPR Featured Poet, Named Finalist for T.S. Eliot Prize



I am pleased to report that Brian Turner’s Phantom Noise has been selected to be among the ten works named on the shortlist of Great Britain’s prestigious T.S. Eliot Prize for Poetry, begun in 1993 and organized under the administration of the Poetry Book Society, which was founded by T.S. Eliot in 1953. The prize is given annually to the best book of poetry published in the United Kingdom and Ireland in the past year. Other works among the finalists include the latest collections by Nobel Prize winners Seamus Heaney (Human Chain) and Derek Walcott (White Egrets).

Brian Turner recently appeared as the featured poet in the Spring/Summer 2010 issue of Valparaiso Poetry Review, in which he was represented by the first appearance of three poems that are published in Phantom Noise. The issue also includes an interview with Turner and my review of Phantom Noise.

As I wrote in the review, “Walking Among Them: Brian Turner’s Phantom Noise”:

In an article, “To Bedlam and Back,” that appeared in the New York Times last October, Brian Turner wrote about the difficulties facing soldiers when they make the transition from war to home. Even as a veteran, an infantry sergeant who served both in Bosnia-Herzegovina and in Iraq, Turner questioned his own perspective on this issue: “I guess what I’m wondering most is, as a country that is currently at war, how do our veterans rejoin the life waiting for them back home? How do they rejoin the tribe once they’ve been to Bedlam? How do we help them so that they don’t feel as if they’re encased in glass, pinned to the walls as specimens in some museum-house of culture? It’s a difficult question to answer. I have trouble answering it myself.”

One of the ways Brian Turner has responded to his history, as a soldier at the battlefront who returns home, has been to explore in his poems various experiences encountered in a war zone and to examine the enduring emotions evoked by them. Indeed, early in his new collection of poems, Phantom Noise, Turner reminds readers of how frequently soldiers encounter an inability to leave behind the traumatic images and dramatic experiences of war . . ..

Readers are encouraged to examine the rest of the review.

The complete shortlist for the 2010 T.S. Eliot Prize for Poetry includes the following:

Seeing Stars by Simon Armitage
The Mirabelles by Annie Freud
You by John Haynes
Human Chain by Seamus Heaney
What the Water Gave Me by Pascale Petit
The Wrecking Light by Robin Robertson
Rough Music by Fiona Sampson
Phantom Noise by Brian Turner
White Egrets by Derek Walcott
New Light for the Old Dark by Sam Willetts


About the selection of finalists, jury chair Anne Stevenson states: “The judges have found this an exceptional year for poetry, with a record number of entries, and have agreed on a strong shortlist which is unusually eclectic in form and theme.”

The T.S. Eliot Prize is Great Britain’s richest award for poetry, and the winner will receive a check presented by Valerie Eliot, T.S. Eliot’s widow, at a ceremony on January 24, 2011. The jury of judges for this year’s prize is Anne Stevenson (Chair), Michael Symmons Roberts, and Bernardine Evaristo, also the featured poet in a previous issue of Valparaiso Poetry Review.

Friday, October 22, 2010

Best of the Web 2011: VPR Nominations

I am pleased to announce Valparaiso Poetry Review’s nominations for the upcoming Best of the Web 2011 anthology from Dzanc Books, the latest of its annual collections described as “representing in book form the best literary writing online magazines have to offer.” I have been privileged to report in the past that works from Valparaiso Poetry Review have been chosen to be among those published in previous editions of Best of the Web.

The editors invite up to three nominated works for submission by each online literary journal. As I have mentioned here a number of times, I maintain a high regard for every poem selected for publication in VPR, and I am reluctant to pick some pieces for honor over others. Indeed, I value all the poems and depend on all the poets in Valparaiso Poetry Review.

Yet, I welcome the admirable efforts of the editors at Dzanc Books as they bring attention to the growing number of fine works appearing in online magazines. In fact, I am confident publications like the Best of the Web anthology help raise awareness of the excellent quality existing in writings regularly witnessed among the pages of electronic literary journals. Additionally, I am pleased whenever an opportunity arises for greater recognition of the contents in issues of Valparaiso Poetry Review.

Therefore, I have offered the editors three poems for consideration from the issues of Valparaiso Poetry Review published during this year, works that are eligible for Dzanc Books’ Best of the Web 2011 anthology, and I am pleased to report the following nominations:

Lisa Lewis: “A Threat in May”

Alison Pelegrin: “Bestiary of the Bayou State”

Brian Turner: “Helping Her Breathe”

I congratulate the nominated poets. At the same time, as I have on other occasions, I wish to express my appreciation to all the contributors whose works appeared in the issues of Valparaiso Poetry Review released in 2010, as well as to those hundreds of poets published in VPR during its tenure of more than eleven years. I am grateful for all the ongoing support Valparaiso Poetry Review has received from contributors and readers, and I look forward to much more splendid poetry available to readers among the pages of VPR in the future.

Wednesday, October 20, 2010

“Revision by Lamplight”

Yesterday, I participated in an annual university event that I count among my favorite activities during the academic year. I was invited to read a poem at the campus gathering designed to celebrate various accomplishments of more than two dozen student writers throughout the spring and fall semesters. Some have won awards for poems, short stories, or essays; others have seen their work published in journals or as parts of books.

I am always pleased by the communal recognition given to these young writers, a number of them from my current creative writing classes or past courses I have taught. Since the act of writing usually takes place in solitude and, even when published, the works are encountered by readers in isolation, I appreciate this rare opportunity to witness beginning writers receiving public acknowledgment and acclaim for their pieces, having their efforts openly reaffirmed by an audience. Indeed, beyond viewing the students’ names in the printed program or observing them collect the prizes handed to each one, I especially enjoyed watching the authors accept words of congratulation, encouragement, and praise presented to them by friends, family, or faculty during a reception following the reading.

When I had been asked to read one of my poems for the occasion, I immediately knew what I would select. “Revision by Lamplight,” which appears in Seeded Light, explores the solitary process of writing, the way I normally compose a poem, moving from idea or abstraction to images and actions—developing an exact language that also carries connotations or exhibits metaphor invoking additional implications. The lines also suggest how my poems try to derive elements of atmosphere, tone, rhythm, or lyricism from the descriptions of scenes and objects. Moreover, the poem highlights the importance of revision, which I repeatedly emphasize to my students.

As a student myself, I had been advised by my creative writing teachers that every poet ought to write a poem about the process he or she knows so intimately, maybe even produce some sort of contribution to the tradition of ars poetica. Perhaps this piece qualifies as my humble offering.



REVISION BY LAMPLIGHT

. . . . . Images are not quite ideas,
. . . . . they are stiller than that . . . .
. . . . . . . . . . —Robert Hass


Most of my time I’ve spent trying to find
. . . . . ways to state natural facts about abstract

thoughts with word images on a page,
. . . . . knowing to save only those ideas I felt

at least I needed. Then, late at night
. . . . . under lamplight when reading aloud

what lines I have written, I listen for their
. . . . . lessons I still seem incapable of learning—

hoping to obtain the wisdom I desire.
. . . . . Instead, I always seem to find myself

distracted while revising, seeing again
. . . . . another language present its sentence

with something as simple as the rhythm
. . . . . of rainfall or a whisper of wind outside

my window, where aligned hundred-watt
. . . . . bulbs of house security lights are now

shimmering and shining up from those
. . . . . shallow puddles offering their own bright

reflections as guides in the dark, replacing
. . . . . this night sky’s far array of missing stars.


. . . . . —Edward Byrne

Tuesday, October 19, 2010

Poem of the Week: “The Reading” by Floyd Skloot

The VPR Poem of the Week is Floyd Skloot’s “The Reading,” which appears in the current Fall/Winter 2010-2011 issue (Volume XII, Number 1) of Valparaiso Poetry Review.

Floyd Skloot’s Selected Poems: 1970-2005 (Tupelo Press, 2008) won a 2009 Pacific NW Booksellers Association Book Award. His sixth collection of new poems, The Snow’s Music, appeared from LSU Press in 2008, and a forthcoming collection is due from Tupelo Press in 2011. He received the 2004 PEN USA Literary Award in Creative Nonfiction for his memoir, In the Shadow of Memory (University of Nebraska Press, 2003). His recent memoir, The Wink of the Zenith: The Shaping of a Writer’s Life, was published by the University of Nebraska Press in 2008. Skloot has won three Pushcart Prizes, a PEN USA Literary Award, an Independent Publishers Book Award, and two Oregon Book Awards.

Tuesday of each week “One Poet’s Notes” highlights an excellent work by a poet selected from the issues of Valparaiso Poetry Review, except when other posts with news or updates preempt the usual appearance of this item, with the recommendation that readers revisit it. Please check the sidebar to view the list of poets and works that have been past “Poem of the Week” selections.

Wednesday, October 13, 2010

VALPARAISO POETRY REVIEW: Fall/Winter 2010-2011 Issue



I am pleased to announce publication of the Fall/Winter 2010-2011 issue (Volume XII, Number 1) of Valparaiso Poetry Review, which includes A.E. Stallings as the featured poet. Readers will find a trio of new poems, titled “Three Poems to Psyche,” by A.E. Stallings, an interview with the poet, and an extended essay on Stallings’ poetry by Angela Taraskiewicz.

In addition to Stallings, 38 other poets are represented in the Fall/Winter 2010-2011 issue of VPR. The issue also includes reviews of recent books by Barbara Crooker, Marilyn Hacker, and H. Palmer Hall. Gregg Hertzlieb contributes commentary on the cover artwork by Sadao Watanabe.

VALPARAISO POETRY REVIEW

Volume XII, Number 1
Fall/Winter 2010-2011


Contents:

Featured Poet: A.E. Stallings

Additional Poets: Grace Bauer, J.P. Dancing Bear, David Bond, Julie Bruck, Philip Dacey, Michael Dobberstein, Lynn Domina, David Graham, Carrie Green, H. Palmer Hall, Tom C. Hunley, Greg Keeler, Russ Kesler, Michael Lavers, Margaret Mackinon, Diane K. Martin, Sjohnna McCray, Bob McNamara, Judith Montgomery, Travis Mossotti, Kay Mullen, Alison Pelegrin, Roger Pfingston, Kathleen Rooney, John Ruff, Lex Runciman, Ralph Salisbury, Nicholas Samaras, Terry Savoie, Maggie Schwed, Peter Serchuk, Carrie Shipers, Floyd Skloot, Joannie Stangeland, Larry D. Thomas, Lee Upton, Pam Ushuk, Sarah Wetzel

Interview: A.E. Stallings interviewed by Edward Byrne

Essay : Angela Taraskiewicz on A.E. Stallings

Reviews: Barbara Crooker reviewed by Janet McCann; Marilyn Hacker reviewed by Zara Raab; H. Palmer Hall reviewed by Jeffrey Alfier;

Cover Art Commentary; Gregg Hertzlieb on Satao Watanabe

Recently Received and Recommended Books

Readers will discover that this issue introduces a new look and altered format from previous volumes of VPR. Valparaiso Poetry Review has been published with a uniform appearance since its premiere issue in October of 1999. However, the program used for constructing the journal’s pages has become outdated. Indeed, some software employed was discontinued five years ago.

In addition, this semester Valparaiso University initiated a new look across all pages in its web presence. Therefore, this seemed like the opportune moment to update and renovate Valparaiso Poetry Review in a manner consistent with the rest of Valparaiso University’s web pages. I encourage readers to take time and become acquainted with the new appearance of VPR, which presents a streamlined arrangement with more compressed format and easier navigation between pages.

I continue to be grateful for all the ongoing support Valparaiso Poetry Review has received from contributors and readers. I invite visitors to examine the Fall/Winter 2010-2011 issue of VPR, and I urge everyone to revisit the numerous entertaining, engaging, and enlightening works published in the previous twenty-two issues of VPR that continue to be available through the archives sections of the journal.

—Edward Byrne, Editor

Tuesday, October 12, 2010

Poem of the Week: “Orpheus Speaks” by Mark Conway

The VPR Poem of the Week is Mark Conway’s “Orpheus Speaks,” which appeared in the Fall/Winter 2006-2007 issue (Volume VIII, Number 1) of Valparaiso Poetry Review. Conway will be presenting his poetry this Wednesday, October 13 at 4:00 p.m., in the Brauer Museum of Art at Valparaiso University. This event is free and open to the public.

Mark Conway is the recipient of awards from the Aldrich Poetry Competition, the Grolier Competition, and the McKnight Foundation. His work has appeared in Agni, Bomb, Gettysburg Review, Paris Review, Ploughshares, and Prairie Schooner, among other literary journals. Conway’s collections of poems are Any Holy City and Dreaming Man, Face Down.

Tuesday of each week “One Poet’s Notes” highlights an excellent work by a poet selected from the archives of Valparaiso Poetry Review, except when other posts with news or updates preempt the usual appearance of this item, with the recommendation that readers revisit it. Please check the sidebar to view the list of poets and works that have been past “Poem of the Week” selections. Additionally, readers are reminded that VPR pages are best read with the browser font preference in which they were set, 12 pt. Times New Roman, in order to guarantee the stanza alignment and the breaks of longer lines are preserved.

Monday, October 11, 2010

"Basketball with Alex"


The temperatures this weekend were unusually warm, especially for October in Indiana; therefore, as evidenced by the accompanying photos, Alex and I took advantage of the ideal weather to play some basketball Sunday afternoon at a park near our house that we frequently visit.

Consequently, this also seems the perfect opportunity to post “Basketball with Alex,” a brief poem I wrote earlier this year.


Basketball with Alex

He dribbles as though with rhythms
. . . . . learned from listening to those older

recordings of mine, the vintage jazz
. . . . . he loves so much. Each time driving

the basket, he even seems to imitate
. . . . . the pulse of remembered downbeats.


. . . . . . . . . . * * *


Counting every bounce, he bounds
. . . . . across half court toward an empty net,

appearing to appreciate reassurance
. . . . . he receives whenever the ball returns,

trusts that way it always snaps back
. . . . . as if never wanting to leave his hand.


. . . . . —Edward Byrne

Sunday, October 10, 2010

Library Tour



In a recent post on my wife’s blog, One Autism Mom’s Notes, she wrote about the regular trips she takes to the local library with our son on Saturdays. In reporting Alex’s enjoyment when visiting the library and his love of books, she suggested he inherited these characteristics from his parents. Pam’s comments caused me to remember the pleasure I experienced—similar to that expressed in the Edward Hirsch poem above—when as a young boy I obtained my first library card and could carry home new volumes to read each week. I recall the librarian frequently commenting upon the weighty tomes I’d cradle in my arms as I approached the checkout counter, wondering how such a small boy could manage those big books.

As I grew older, like the “book-drunk boy” in the Tobias Wolff novel, Old School, I searched for a more perfect atmosphere for engaging literature. I would make regular journeys by subway to the main branch of the Brooklyn Public Library, a building that seemed so solemn and stately with its impressive architecture and majestic rooms. Each time my footsteps echoed through the marbled main hallway, I felt as if I had been granted access to a haven, isolated from the traffic and troubles in the city streets just outside a high arching window. My appreciation for libraries as portals to faraway places and sanctuaries for study continued through my years as an undergraduate developing an interest in writing, who found favorite locations in the quiet corners of the university library for composing those initial poems and essays that would begin a lifelong practice.

Not surprisingly, upon graduation I obtained a job at the fabled New York Public Library on Fifth Avenue in Manhattan, where I’d spend summer lunch hours reading on the front steps between the pair of statuary lions guarding the entrance. In winter months, I’d study and write lines of poetry in one of the library’s elegant reading rooms. I especially appreciated having an opportunity to be surrounded by so many books each morning as I arrived at work or when I walked through the multiple-storied stacks of books that extended behind the scenes for a city block, although I also started to feel sadness upon realization that it would be impossible to read every book I desired to investigate, even if I devoted myself to the task for an entire lifetime.

Perhaps one of the delights I attained by visiting libraries came as a consequence of the contrast I found between those rooms filled with stacks of shelves stuffed with books and the lack of many books in my own home when I was young. My parents were hard-working individuals who never had the chance to attend college and hadn’t developed a habit of reading novels or works of nonfiction. In our Brooklyn apartment, as in those of many of my friends and classmates, books were considered a luxury. Indeed, some parents believed all the everyday information one needed could be seen in the daily newspaper, such as the night-owl edition of the Daily News or Mirror my father brought home every evening so that he could quickly catch up on the latest sports scores and examine with me the horse racing section for the Total Mutual Handle numbers at the track he’d bet each morning through his “bookie,” usually using the numbers of our street address, in those days before lotteries were legalized.

Consequently, although my mother and father strongly encouraged my love of reading and openly expressed pride over my academic achievements, there were few books in our house during my youth. Indeed, I still recall the day my mother purchased an encyclopedia set of volumes and a huge dictionary with golden binding from a door-to-door salesman. I also remember the series of books about World War II my father, a veteran of the war, once brought home that chronicled, through journalistic prose and dramatic photographs, the various significant battles in the European and Pacific theaters of conflict. The lone bookcase housing those collections, positioned beside my father’s console stereo that was even larger, became the center of my interest for many years. I actually initiated a project of learning by moving through the encyclopedia alphabetically, and I became one of the youngest experts on the tactics of warfare from my chronological study of the illustrated history of the war years.

In contrast, over the years Pam and I have accumulated an extensive library of our own, as at least a couple thousand books fill spaces in nearly every room on each of the three floors of our house. In fact, many of our bookshelves are spilling over (including a shelf bookended by replicas of the famous New York Public Library lions), and one large room exists as a library with floor to ceiling shelves lining all the walls. Additionally, at the university, my office shelves also overflow with another thousand assorted volumes of poetry, novels, or nonfiction books.

As I have written elsewhere and chronicled in a poem titled “Hyperlexia,” Alex somehow taught himself to recognize writing and to read before he could even walk. Hyperlexia is sometimes defined as “advanced word-recognition skills in individuals who otherwise have pronounced cognitive, social, and linguistic handicaps.” The first indication of Alex’s talent happened when he was still in a playpen by the living room. Pam and I were watching television, and during a commercial we heard a voice speak the words “Visa,” “Mastercard,” “American Express.” We looked at one another then turned toward the playpen, where Alex was holding on to the side rail and peeking through the netting at the television. Sure enough, in the corner of the commercial on the screen, those words appeared, informing viewers about the avenues available for purchasing the advertised product. However, nobody in the commercial had spoken the words; Alex had decoded and verbalized them on his own.

When we realized, early in his childhood, the great delight our son gets from reading, we were pleased Alex has been raised in an environment that appears ideal for his innate love of books and his appetite for reading that never seems sated. We acknowledged his curiosity and absorption of the written word mirrored our own, since Pam also had been a precocious early reader. At the time, we were unaware that hyperlexia sometimes exists as a symptom accompanying autism. Still, when Alex was later diagnosed with autism and his verbal skills were greatly delayed, his hyperlexia allowed us to teach him spoken language through signs Pam had cleverly written and placed on objects around the house or used as flash cards to aid in his speech therapy. In other instances, when Alex was frustrated because we couldn’t understand words he was trying to communicate to us, we would ask him to clarify the situation by spelling or typing the words.

Yesterday, after Pam, Alex, and I attended an orchestra concert at the Valparaiso University Chapel, Pam suggested we tour the campus library built in recent years, since she and Alex had not yet been inside. As I guided them through the library, I again noticed the changes that have occurred since those first years when I visited libraries—the digital catalog, the many tables and booths with computer stations, the video section, the gourmet coffee shop, etc. Nevertheless, as Alex’s heavy footsteps echoed off the marble floor, and he gazed with curiosity or awe at the stacks of books all around him, I could still hear my own tentative steps decades ago, and I once more felt the pleasure of being in a library.

Thursday, October 7, 2010

"Wind Currents at Dusk" from Autism: A Poem

As I have mentioned previously, I have created a separate blog site as an open experiment of poetry composition, perhaps a glimpse at an emerging manuscript as it matures. The contents represent portions of an ongoing personal project with a particularly narrow focus intended to eventually develop toward a book-length poem tentatively and simply titled Autism.

The poem will grow as sections are added. The individual pieces are designed so that they may be viewed as independent items; however, I have consciously carried themes, images, and language through the extended sequence with the hope that connectivity and continuity will be preserved among numerous sections of the long poem.

I have now posted a new section, “Wind Currents at Dusk.”

Readers are asked to regard Autism as a work in progress, a partial draft rather than a finished product (even if a few selected segments previously may have appeared in print), and I request everyone realize various revisions—edits, emendations, or expansion—may be made to the posts at any time in the future.

Tuesday, October 5, 2010

Poem of the Week: “October” by Deborah Bogen

The VPR Poem of the Week is Deborah Bogen’s “October,” which appeared in the Fall/Winter 2008-2009 issue (Volume X, Number 1) of Valparaiso Poetry Review.

Deborah Bogen’s book-length collections are Let Me Open You a Swan (Elixir Press, 2009) and Landscape with Silos (Texas A&M University Press), which was a 2004 National Poetry Series finalist and won the 2005 X.J. Kennedy Poetry Prize. Living by the Children's Cemetery was selected by Edward Hirsch as winner of 
the 2002 ByLine Press Chapbook Competition. Her poems and reviews appear widely in magazines, including Crazyhorse, Field, Gettysburg Review, Margie, New Letters, Poetry Daily, Poetry International, Shenandoah, and Verse Daily.

Tuesday of each week “One Poet’s Notes” highlights an excellent work by a poet selected from the issues of Valparaiso Poetry Review, except when other posts with news or updates preempt the usual appearance of this item, with the recommendation that readers revisit it. Please check the sidebar to view the list of poets and works that have been past “Poem of the Week” selections. Additionally, readers are reminded that VPR pages are best read with the browser font preference in which they were set, 12 pt. Times New Roman, in order to guarantee the stanza alignment and the breaks of longer lines are preserved.