Frank O'Hara: "Having a Coke with You"

Frank O’Hara was born on this date (June 27) in 1926. In the rare video above from 1966, just before his death in July of the same year, he presents “Having a Coke with You.”

HAVING A COKE WITH YOU

is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I'm with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o'clock light we are drifting back and forth
between each other like a tree breathing through its spectacles

and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them

I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it's in the Frick
which thank heavens you haven't gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn't pick the rider as carefully
as the horse

it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it

—Frank O'Hara

In his book, The Last Avant-Garde: The Making of the New York School of Poets, David Lehman correctly comments about O’Hara’s poetry: “The surface of O’Hara’s poems is so dazzling, with taste so fine and sensibility so rare and appealing, that it comes as a surprise to investigate and realize that there are depths of meaning in his offhanded poems that seem as disarmingly immediate and perishable as telephone calls. The prejudice against humor and lightheartedness in poetry has caused some readers to overlook not only the lyric pathos informing O’Hara’s work but also the incisive way his work captures a world, a time, and a place.”

Readers are invited to view some of the other articles at “One Poet’s Notes” with commentary, audio, and video concerning Frank O’Hara: “Frank O’Hara on Writing About Experience,” “The Poet and the Painter: Grace Hartigan and Frank O’Hara,” “Grace Hartigan and Frank O’Hara,” “Larry Rivers and Frank O’Hara,” and “Frank O’Hara and Jackson Pollock.”