The VPR Poem of the Week is Jackie Bartley’s “The Moon through Blue Glass,” which appeared in the Fall/Winter 2004-2005 issue (Volume VI, Number 1) of Valparaiso Poetry Review.
Jackie Bartley is the author of a number of poetry collections, including Ordinary Time (2007), Women Fresh from Water (2005), Hobo Signs (2004), Bloodroot (2002), The Terrible Boundaries of the Body (1996), and When Prayer Is Far from Our Lips (1994). Her work also has appeared in many literary journals, such as Artful Dodge, Hayden's Ferry Review, Sulphur River Literary Review, Tar River Poetry, and West Branch. Bartley teaches in the English Department at Hope College.
Tuesday of each week “One Poet’s Notes” highlights an exceptional work by a poet selected from the archives of Valparaiso Poetry Review with the recommendation that readers revisit it. Please check the sidebar to view the list of poets and works that have been past “Poem of the Week” selections. Additionally, readers are reminded that VPR pages are best read with the browser font preference in which they were set, 12 pt. Times New Roman, in order to guarantee the stanza alignment and the breaks of longer lines are preserved.
Jackie Bartley is the author of a number of poetry collections, including Ordinary Time (2007), Women Fresh from Water (2005), Hobo Signs (2004), Bloodroot (2002), The Terrible Boundaries of the Body (1996), and When Prayer Is Far from Our Lips (1994). Her work also has appeared in many literary journals, such as Artful Dodge, Hayden's Ferry Review, Sulphur River Literary Review, Tar River Poetry, and West Branch. Bartley teaches in the English Department at Hope College.
Tuesday of each week “One Poet’s Notes” highlights an exceptional work by a poet selected from the archives of Valparaiso Poetry Review with the recommendation that readers revisit it. Please check the sidebar to view the list of poets and works that have been past “Poem of the Week” selections. Additionally, readers are reminded that VPR pages are best read with the browser font preference in which they were set, 12 pt. Times New Roman, in order to guarantee the stanza alignment and the breaks of longer lines are preserved.
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