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Nevertheless, more than anything else, the first half of November often seems simply a reminder of the continual need to adjust for change, whether that merely be trading the lawn mower for the snow blower in the storage shed or more grandly involve recognizing the temporal yet cyclical nature of life itself through the shift in seasons and the returning images of bare trees or empty gardens in an increasingly wintry looking landscape. Though I often imagine living in a tropical climate where the days are always warm and sunny, I must acknowledge the enduring fascination I hold for the four seasons and the characteristics they display in my part of the world every year, an interest frequently reflected in my poetry. Despite the frigid snowbound January mornings when I confess to an envy of those I know inhabiting more temperate regions of the country, I confide a certain pleasure derived from the variety of climate conditions exhibited during the course of a quartet of distinctly different seasons.
When I lived among the western mountains for four years, I looked forward to and valued the cold dry snow that often powdered trees and covered ski slopes on late autumn mornings, but the adhesiveness of heavy wet snow accompanying November squalls with winds whipping off Lake Michigan offers another sort of beauty, which also can be appreciated and present a lesson concerning transformation or acclimation. Consequently, as November begins again and I anticipate the first snowfall that surely will occur sometime this month, signaling another notable change in seasons, I offer the following timely poem from my recently released collection, Tinted Distances:
SNOW SQUALLS
Early November and just a few fitful leaves
. . . . . still linger on thin fruit trees leaning beside
our back fence, though lifting in that wind
. . . . . drift bringing shifting rows of snow squalls
over an empty stretch of meadow. Already,
. . . . . all across this landscape seems bleached out.
Each of these features now appears changed
. . . . . to a paler shade of gray the way deck wood
weathers in winter or rich colors of printed
. . . . . images often will blanch under summer sun.
By tomorrow morning, this short storm also
. . . . . may fade away, the skeletal shapes of bared
branches will be the only things that remain
. . . . . to frame those frozen fields yet whitening
beneath brightening skies and the far scarves
. . . . . of clouds darkening the line of the horizon.
I invite readers to discover more about the poetry in Tinted Distances, and I remind everyone that the volume is available for purchase.
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