Henry David Thoreau was born on this date (July 12) in 1817. In his writings Thoreau admired the role of the poet, especially as one who reflects wisely upon the importance of nature. The following excerpt from Thoreau’s A Week on the Concord and Merrimack Rivers contains a few of his views about the place of poetry and the poetry of place.
“What would we not give for some great poem to read now, which would be in harmony with the scenery, —for if men read aright, methinks they would never read anything but poems. No history nor philosophy can supply their place.
“The wisest definition of poetry the poet will instantly prove false by setting aside its requisitions. We can, therefore, publish only our advertisement of it.
“There is no doubt that the loftiest written wisdom is either rhymed, or in some way musically measured, —is, in form as well as substance, poetry; and a volume which should contain the condensed wisdom of mankind need not have one rhythmless line.
“Yet poetry, though the last and finest result, is a natural fruit. As naturally as the oak bears an acorn, and the vine a gourd, man bears a poem, either spoken or done. It is the chief and most memorable success, for history is but a prose narrative of poetic deeds. What else have the Hindoos, the Persians, the Babylonians, the Egyptians done, that can be told? It is the simplest relation of phenomena, and describes the commonest sensations with more truth than science does, and the latter at a distance slowly mimics its style and methods. The poet sings how the blood flows in his veins. He performs his functions, and is so well that he needs such stimulus to sing only as plants to put forth leaves and blossoms. He would strive in vain to modulate the remote and transient music which he sometimes hears, since his song is a vital function like breathing, and an integral result like weight. It is not the overflowing of life, but its subsidence rather, and is drawn from under the feet of the poet. It is enough if Homer but say the sun sets. He is as serene as nature, and we can hardly detect the enthusiasm of the bard. It is as if nature spoke. He presents to us the simplest pictures of human life, so the child itself can understand them, and the man must not think twice to appreciate his naturalness. Each reader discovers for himself that, with respect to the simpler features of nature, succeeding poets have done little else than copy his similes. His more memorable passages are as naturally bright as gleams of sunshine in misty weather. Nature furnishes him not only with words, but with stereotyped lines and sentences from her mint.”
“What would we not give for some great poem to read now, which would be in harmony with the scenery, —for if men read aright, methinks they would never read anything but poems. No history nor philosophy can supply their place.
“The wisest definition of poetry the poet will instantly prove false by setting aside its requisitions. We can, therefore, publish only our advertisement of it.
“There is no doubt that the loftiest written wisdom is either rhymed, or in some way musically measured, —is, in form as well as substance, poetry; and a volume which should contain the condensed wisdom of mankind need not have one rhythmless line.
“Yet poetry, though the last and finest result, is a natural fruit. As naturally as the oak bears an acorn, and the vine a gourd, man bears a poem, either spoken or done. It is the chief and most memorable success, for history is but a prose narrative of poetic deeds. What else have the Hindoos, the Persians, the Babylonians, the Egyptians done, that can be told? It is the simplest relation of phenomena, and describes the commonest sensations with more truth than science does, and the latter at a distance slowly mimics its style and methods. The poet sings how the blood flows in his veins. He performs his functions, and is so well that he needs such stimulus to sing only as plants to put forth leaves and blossoms. He would strive in vain to modulate the remote and transient music which he sometimes hears, since his song is a vital function like breathing, and an integral result like weight. It is not the overflowing of life, but its subsidence rather, and is drawn from under the feet of the poet. It is enough if Homer but say the sun sets. He is as serene as nature, and we can hardly detect the enthusiasm of the bard. It is as if nature spoke. He presents to us the simplest pictures of human life, so the child itself can understand them, and the man must not think twice to appreciate his naturalness. Each reader discovers for himself that, with respect to the simpler features of nature, succeeding poets have done little else than copy his similes. His more memorable passages are as naturally bright as gleams of sunshine in misty weather. Nature furnishes him not only with words, but with stereotyped lines and sentences from her mint.”
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