The VPR Poem of the Week is Matthew W. Schmeer’s “Chess,” which appeared in the Spring/Summer 2006 issue (Volume VII, Number 2) of Valparaiso Poetry Review.
Matthew W. Schmeer is the author of a chapbook of poetry, Twenty-One Cents (Pudding House Press, 2002). His poems have appeared in Connecticut River Review, Natural Bridge, Segue, Sojourn, Soundings East, and Talking River Review, as well as other journals. Schmeer, the editor of Poetry Midwest, is an associate professor of English at Johnson County Community College in Overland Park, Kansas.
Tuesday of each week “One Poet’s Notes” highlights an excellent work by a poet selected from the archives of Valparaiso Poetry Review, except when other posts with news or updates preempt the usual appearance of this item, with the recommendation that readers revisit it. Please check the sidebar to view the list of poets and works that have been past “Poem of the Week” selections. Additionally, readers are reminded that VPR pages are best read with the browser font preference in which they were set, 12 pt. Times New Roman, in order to guarantee the stanza alignment and the breaks of longer lines are preserved.
Matthew W. Schmeer is the author of a chapbook of poetry, Twenty-One Cents (Pudding House Press, 2002). His poems have appeared in Connecticut River Review, Natural Bridge, Segue, Sojourn, Soundings East, and Talking River Review, as well as other journals. Schmeer, the editor of Poetry Midwest, is an associate professor of English at Johnson County Community College in Overland Park, Kansas.
Tuesday of each week “One Poet’s Notes” highlights an excellent work by a poet selected from the archives of Valparaiso Poetry Review, except when other posts with news or updates preempt the usual appearance of this item, with the recommendation that readers revisit it. Please check the sidebar to view the list of poets and works that have been past “Poem of the Week” selections. Additionally, readers are reminded that VPR pages are best read with the browser font preference in which they were set, 12 pt. Times New Roman, in order to guarantee the stanza alignment and the breaks of longer lines are preserved.
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